Archive for September, 2010

Between the Frames by R J Dent

September 21, 2010

 

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Once the cartoon was over, Edgar, the albino projectionist, paused the projector and turned the house lights up. Far below, in the darkened cinema, the audience began to file noisily out of the auditorium.

          Edgar waited impatiently for the room to empty before finishing his work. He reversed the projector’s ratchet, then pressed the blue button. The film began to rewind onto the huge spool.

          As the machine whirred, Edgar placed the other film reels shown that evening into cases and the cases into the rack. He slipped covers over machines, then checked that the room was tidy enough for the next day. It was.

          Edgar was in a hurry because he had a date with Emily Watson – the waitress from the Laguna restaurant – and tonight looked as though their relationship might develop into something more than the kissing and touching bouts that it consisted of at present. Read more…

 

R J Dent says: ‘I wrote Between the Frames because I wanted to look at different notions of image, identity and perception; these are themes that have become increasingly important due to the surveillance/CCTV era we now live in. I also wanted to try and write a surreal story that was grounded in, but which challenged, notions of what we think and what we see, contrasted with how we think we are perceived.’

 

Between the Frames

Copyright © R J Dent (2005 & 2016)

 

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John Wyndham

September 14, 2010

John Wyndham (10 July 1903 – 11 March 1969) was the pen name used by English science fiction writer John Wyndham Parkes Lucas Beynon Harris.

 


 


During his writing career, John Wyndham used various combinations of his names, such as John Beynon, John Benyon Harris, or Lucas Parkes.



By 1931, Wyndham was selling short stories and serial fiction to American science fiction pulp magazines, mostly under the pen names of ‘John Beynon’ or ‘John Beynon Harris’. He also wrote some detective stories.



Over time he altered his writing style and in 1951 started using the John Wyndham pseudonym for the first time. He wrote The Day of the Triffids. The novel was an enormous success and it established Wyndham as an important science fiction writer. He went on to publish six more novels and several short story collections under the name John Wyndham, all of which appeared in his lifetime.


 

Here is a bibliography:



Foul Play Suspected (1935) (as John Beynon) novel


FoulPlaySuspected


The Secret People (1935) (as John Beynon) novel


 

Stowaway to Mars (1936) (as John Benyon; also known as The Space Machine and Planet Plane) novel

The Day of the Triffids (1951) novel

The Kraken Wakes (1953) (also known as Out of the Deeps) novel

Jizzle (1954) short stories

The Chrysalids (1955) (also known as Re-Birth) novel

The Seeds of Time (1956) short stories

The Midwich Cuckoos (1957) novel

 


The Outward Urge (1959) inter-connected short stories

 

Trouble with Lichen (1960) novel

Consider Her Ways and Others (1961) short stories

Chocky (1968) novel

Sleepers of Mars (1973) short stories

The Best of John Wyndham (1973) short stories

Wanderers of Time (1973) short stories

 

 

Exiles on Asperus (1979) short stories

 

 

Web (1979) novel

 

 

No Place like Earth (2003)

 

 

Plan for Chaos (2009) novel

 


John Wyndham died aged 65 at his home, survived by his wife and brother. Subsequently, some of his unsold work has been published and his earlier work re-published.


Here is a short film about the works of John Wyndham:

 

Here is a link for buying the works of John Wyndham:

http://www.amazon.co.uk/John-Wyndham/e/B000AQ6YQS/ref=sr_tc_2_0?qid=1416184291&sr=1-2-ent

 

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Michael Baldwin (1930-2014)

September 4, 2010

 

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Michael Baldwin, poet, novelist, essayist and short story writer, was born on May 1st, 1930 in Gravesend, Kent. He died on February 3rd, 2014.

Here is the Guardian’s obitituary:

http://www.theguardian.com/books/2014/feb/19/michael-baldwin

And here is an essay on Ted Hughes, written by Michael Baldwin:

http://ann.skea.com/MichaelBaldwinMemoir1.htm

And here is a letter written by one of his former students:

http://www.theguardian.com/global/2014/mar/28/michael-baldwin-obituary-letter

And here’s Anthony Wilson’s appreciation of his book, The Way to Write Poetry:

http://anthonywilsonpoetry.com/tag/michael-baldwin-poet/

Michael Baldwin grew up in Gravesend and Meopham, and was educated in the local Grammar school and then Oxford, followed by service in the Coast Artillery Regiment of the Thames and Medway estuary. Many of his published stories and poems are based in the Medway area of Kent.

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Before becoming a full-time writer, Michael Baldwin worked as a teacher, university lecturer and broadcaster. He has written for radio, stage and film; and his Thames TV series Writer’s Workshop won a Rediffusion Prize as well as awards at many international festivals. His verse play, All American Bust was performed at the Royal Court Theatre.

A Fellow of the Royal Society of Literature and former chairman of the Arvon Foundation at Lumb Bank, Michael Baldwin gained a Japan award for his work in documentary television, and a Cholmondeley Award for his volume of poetry King Horn, a collection written by Michael Baldwin during the years he lived in the south of France. 

 

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He has judged national and international writing competitions and was for many years a judge of the Daily Mirror/W H Smith Young Writers Competition.

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Michael Baldwin has taught creative writing at the Arvon Foundation, Fen Farm, Las Cabanes, the University of North Carolina, and at Skyros. He was Head of English and Drama at Whitelands College, Putney, and a Principal Lecturer at the Roehampton Institute.


Michael Baldwin is the author of twelve novels, including: There’s a War On, Miraclejack, The Rape of OC, Exit Wounds, Holofernes, Dark Lady and The First Mrs Wordsworth.

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His volumes of autobiography include Grandad with Snails and In Step with a Goat.

Michael Baldwin is also the author of several short story collections, a number of non-fiction works, and several volumes of prize-winning poetry, including Buried God, Hob and Other Poems, King Horn and Death on a Live Wire.

 


In order to give an indication of the power of Michael Baldwin’s poetry, here is Death on a Live Wire:

 

Treading a field I saw afar

A laughing fellow climbing the cage

That held the grinning tensions of wire,

Alone, and no girl gave him courage.

 

Up he climbed on the diamond struts,

Diamond cut diamond, till he stood

With the insulators brooding like owls

And all their live wisdom, if he would.

 

I called to him climbing and asked him to say

What thrust him into the singeing sky:

The one word he told me the wind took away,

So I shouted again, but the wind passed me by

 

And the gust of his answer tore at his coat

And stuck him stark on the lightning’s bough;

Humanity screeched in his manacled throat

And he cracked with flame like a figure of straw.

 

Turning, burning, he dangled black,

A hot sun swallowing at his fork

And shaking embers out of his back,

Planting his shadow of fear in the chalk.

 

O then he danced an incredible dance

With soot in his sockets, hanging at heels;

Uprooted mandrakes screamed in his loins,

His legs thrashed and lashed like electric eels;

 

For now he embraced the talent of iron,

The white-hot ore that comes from the hill,

The Word out of which the electrons run,

The snake in the rod and the miracle;

 

And as he embraced it the girders turned black,

Fused metal wept and great tears ran down

Till his fingers like snails at last came unstuck

And he fell through the cage of the sun.

 

© Michael Baldwin (1962)

 

Bibliography

Novels:

     A World of Men

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    A Mouthful of Gold

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    Miraclejack

miraclejack

    The Great Cham

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    There’s a War On

    Exit Wounds

exit-wounds-mb

    The Cellar

the c mb

    The Gamecock

gamecock mb

    Holofernes

holofernes mb

    Ratgame

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    The Rape of OC

    The First Mrs Wordsworth

    Dark Lady


Short Stories:

    Sebastian and Other Voices

saov - mb

    Underneath and Other Situations

underneath - mb

Poetry:

 

    Silent Mirror

    Voyage from Spring

    Death on a Live Wire

    How Chas Egget Lost His Way in a Creation Myth

    Buried God

buried god - mb

    Hob (and Other Poems)

haop - mb

    Snook

    King Horn

king horn mb

 

 

 

Non-Fiction:

 

    Poetry without Tears

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    The River and the Downs: Kent’s Unsung Corner

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    Writing in Kent since 1900 (1986 Kent Literature Festival Brochure)

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    The Way to Write Poetry

    The Way to Write Short Stories

Autobiography:

 

    Grandad with Snails

    In Step with a Goat

Michael Baldwin is an incredibly gifted writer of poetry, novels, short stories and non-fiction.

Here is a short film of R J Dent’s collection of Michael Baldwin books:

 

Read any books by Michael Baldwin because he is worth reading.

Here is another powerful poem by Michael Baldwin. This one is called Social Study:

Social Study

 

While my mother ate her heart out

And my father chewed the chairs

My sister worked in a factory

Calmly degutting pears:

 

 

The green pears like spinach

And the yellow pears like sick

She gently disembowelled

With a deft little flick.

 

 

She never seemed to worry

Or share the family fears

But thoughts like bees were buzzing

Inside her golden ears:

 

She jilted a tin-carpenter

And then a labeller’s mate,

And finally she married

The man who nails the crate.

 

 

She had two lovely children

Called Dorothy and Clem —

They’re hanging her tomorrow

For calmly degutting them.

 

© Michael Baldwin (1962)

 

Note from R J Dent: ‘Here’s the complete poem Social Study copied from Here Today, the anthology edited by Ted Hughes, which is the only collection I can find this particular poem in. I’ve transcribed it exactly, taking care over every detail, including the punctuation. The above is exactly as MB wrote it. I’ve included it here as many people have searched for Social Study and have been unable to find it. Along with Death on a Live Wire, Social Study is regarded by many as one of Michael Baldwin’s finest poems.’

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The final words are from Michael Baldwin:

‘In the past reviewers have found my work violent. All I can say is that it must be. The world is.’

                           (Michael Baldwin – December 1962)

 


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