Voodoo Excess (Rolling with the Stones) by Jeremy Reed

April 21, 2015

 

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Voodoo Excess

(Rolling with the Stones)

by Jeremy Reed

with an introduction by R J Dent

 

Voodoo Excess, Jeremy Reed’s latest collection, is a history of the Rolling Stones in verse, prose and prose-poetry.

In Voodoo Excess, Jeremy Reed chronicles the Stones’ progress from the early days at the Crawdaddy Club in 1962 to the fiftieth anniversary in 2012; he explicates Mick Jagger’s dance steps and his accent; he examines the Rolling Stones’ logo; and the different ways Keith Richards and Ronnie Wood angle their cigarettes; he describes the emotional impact of the Stones’ Hyde Park performance; he details the Redlands bust and the anti-establishment stance and attitude of the band; and he looks unflinchingly at the violence of Altamont and the inevitable death of the summer of love.

Voodoo Excess is far more than a Rolling Stones biography and it is far more than a collection of Rolling Stones-themed poems and prose-poems – what Jeremy Reed has achieved with Voodoo Excess is to provide an incredibly in-depth, up-close and intimate chronicle of the life and times of a group of musicians who have – for fifty years – collectively and individually continued to define the term ‘rock and roll rebels’.

 

Product details:

Title: Voodoo Excess

Author: Jeremy Reed

Format: Paperback

Pages: 224 pages

Publisher: Enitharmon Press

Published: 12 June 2015

ISBN-10: 1907587500

ISBN-13: 978-1907587504

 

Contents

INTRODUCTION: The Rolling Stones and Jeremy Reed (by R J Dent)

PART 1 – THE GREATEST ROCK AND ROLL BAND IN THE WORLD

PART 2 – THE BRIAN JONES YEARS: 1962–1969

PART 3 – THE MICK TAYLOR YEARS: 1969–74

PART 4 – MEMORABILIA/BONUS MATERIAL

PART 5 – THE RONNIE WOOD YEARS: 1975–

 

Voodoo Excess is available at:

http://www.amazon.co.uk/Voodoo-Excess-Jeremy-Reed/dp/1907587500

and at:

http://www.amazon.com/Voodoo-Excess-Jeremy-Reed/dp/1907587500

and at:

https://www.waterstones.com/book/voodoo-excess/jeremy-reed/9781907587504

 

Follow Jeremy Reed’s work on http://www.jeremyreed.co.uk/

Follow R J Dent’s work on:

Website: http://www.rjdent.com/

Amazon: http://www.amazon.co.uk/R.-J.-Dent/e/B0034Q3RD4

Blog: https://rjdent.wordpress.com/

twitter: https://twitter.com/RJDent

facebook: https://www.facebook.com/rjdentwriter

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The Blood Delirium: The Vampire in 19th Century European Literature

November 29, 2014

 

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‘R J Dent’s translations are fresh with an exciting raw sexual edge…’ (Candice Black)

 

The Blood Delirium is a definitive collection of 19th century European literature in which the vampire or vampirism – both embodied and atmospheric – is featured or evoked. Twenty-three seminal works by classic European authors, covering the whole of that delirious period from Gothic and Romantic, through Symbolism and Decadence to proto-Surrealism and beyond, in a single volume charged with sex, blood and horror.

 

The Blood Delirium contains a detailed introduction (by editor Candice Black) which not only examines these texts and their meaning, but which also charts the literary and cultural climate in which the new cult of the vampire was allowed to flourish.

 

The Blood Delirium includes texts by Bram Stoker, J. Sheridan Le Fanu, Oscar Wilde, J.M. Rymer, Charles Baudelaire, Le Comte de Lautréamont, Paul Féval, Maurice Rollinat, Guy de Maupassant, Count Stenbock, Jean Lorrain, Théophile Gautier, Charles Nodier, John Polidori, J.K. Huysmans, Charlotte Brontë, Ivan Turgenev, Jan Neruda, Augustus Hare, Cyprien Berard and Léon Bloy.

 

Several of the texts in The Blood Delirium are translated by R J Dent into English for the very first time, including those by Cyprien Bérard, Paul Féval, and Maurice Rollinat.

 

 

The Blood Delirium is the definitive collection for literate vampire-lovers.

 

The Blood Delirium is available from:

 

http://www.amazon.com/The-Blood-Delirium-European-Literature/dp/0983884285

 

or from:

 

http://www.amazon.co.uk/Blood-Delirium-The-Candice-Black/dp/0983884285

 

 

www.rjdent.com

 

Myth by R J Dent

October 7, 2013

R J Dent’s Myth is a fantasy/horror novel set on a Greek island.

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R J Dent provides some information on his novel, Myth:

R J Dent reads an excerpt from his novel, Myth:

The book trailer for R J Dent’s novel, Myth:

A promotional poster for R J Dent’s novel, Myth:

myth r j dent poster

Myth is available as an e-book:

http://www.amazon.co.uk/Myth-ebook/dp/B00FV6XBUY/ref=la_B0034Q3RD4_1_7?s=books&ie=UTF8&qid=1381743927&sr=1-7

and as a paperback:

http://www.amazon.co.uk/Myth-R-J-Dent/dp/1843862670/ref=la_B0034Q3RD4_1_4?s=books&ie=UTF8&qid=1381743927&sr=1-4

http://www.rjdent.com

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Alcaeus: Poems & Fragments

February 15, 2011

 Translated by R J Dent

Alcaeus: Poems & Fragments – translated by R J Dent (ISBN 978-1-906451-53-0)

R J Dent’s sensitive modern English translation of the complete Poems & Fragments of Alcaeus is now available to download onto your Kindle at:

http://www.amazon.co.uk/Alcaeus-Poems-Fragments-ebook/dp/B007HT1ISA/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1331151350&sr=1-1

and:

http://www.amazon.com/Alcaeus-Poems-Fragments-ebook/dp/B007HT1ISA/ref=sr_1_2?ie=UTF8&qid=1331151639&sr=8-2

and in ePub format (Sony, Kobo, etc) at:

http://www.hive.co.uk/ebook/alcaeus-poems-fragments/14018263/

and:

http://www.tescoebooks.com/tescoweb/search/SearchSingletitle.aspx?E=9781906451547

Alcaeus: Poems & Fragments is also available in paperback from Circaidy Gregory Press at:

http://www.circaidygregory.co.uk/alcaeus.htm

and from Amazon.co.uk:

http://www.amazon.co.uk/Alcaeus-Poems-Fragments/dp/1906451532/ref=sr_1_1?s=books&ie=UTF8&qid=1329660575&sr=1-1

Alcaeus was a fellow countryman and contemporary of Sappho, and his beautiful and delicate poetry is often overshadowed by Sappho’s reputation. R J Dent has now translated all of Alcaeus’s Poems & Fragments from ancient Greek into lively modern English in an attempt to rescue Alcaeus’s ethereal poetry from obscurity.

There is no other published translation of Alcaeus: Poems & Fragments in existence.

http://www.youtube.com/watch?v=ZManZM65dGA&feature=plcp

Product Details:

Title: Alcaeus: Poems & Fragments – translated by R J Dent [Paperback Edition]

Paperback ISBN: 978-1-906451-53-0

Title: Alcaeus: Poems & Fragments – translated by R J Dent [Kindle Edition]

e-book ISBN: 978-1-906451-54-7

Translator: R J Dent

© R J Dent (2012)

Language: English 

Pages: 112

Paperback ISBN 978-1-906451-53-0 £7.49.  Orders available to trade and retail customers from http://www.circaidygregory.co.uk or to trade via Nielsen Teleorders. Contact sales@circaidygregory.co.uk for discount and SoR terms.

Alcaeus: Poems & Fragments (in paperback and kindle formats) is now available from Amazon, and in all other eformats from all i-stores. Orders available to trade from Gardners and Baker and Taylor.

Here’s a recent review of Alcaeus: Poems & Fragments:

http://hastingsonlinetimes.co.uk/arts-culture/creative-writing/a

R J Dent’s published works include a novel, Myth; translations of Charles Baudelaire’s The Flowers of Evil & Artificial Paradise; of Le Comte de Lautréamont’s The Songs of Maldoror; of Alcaeus’s Poems & Fragments; a Gothic novella, Deliverance; a poetry collection, Moonstone Silhouettes, and various stories, articles, essays, poems, etc, in a wide range of magazines, periodicals and journals, including Orbis, Philosophy Now, Acumen and Writer’s Muse. 

R J Dent’s Amazon page can be found at:

 http://www.amazon.co.uk/R.-J.-Dent

Details of R J Dent’s other works – novels, novellas, translations, stories, poems, essays and songs – are available on www.rjdent.com

Follow R J Dent’s work on:

website: http://www.rjdent.com/

blog: https://rjdent.wordpress.com/

twitter: http://twitter.com/#!/RJDent

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Thunder Island by James Howard Kunstler

May 19, 2016

 

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Andy Newmark is having the time of his life on Thunder Island, but the 1967 Summer of Love also brings with it some important lessons about growing up.

In this coming-of-age novel, set in the summer of 1967, 17-year-old Andy Newmark graduates from high school and lands a job at a run down beach club on the famous barrier island east of New York City. It’s the legendary summer of love in the USA with the Vietnam War ramping up in the background and on Thunder Island it’s all about sex, drugs, and rock and roll. It is Andy’s first time living away from home with no one to answer to but the hard-drinking board members of the rattletrap club. The threat of the military draft hangs over Andy as makes his way into the adult world.

The reader is carried along by Andy’s sense of exploration as he works, makes friends, surfs, and experiments with drugs, alcohol and sex. All the while, the fear of not being accepted by a college and therefore being drafted to fight in Vietnam hovers over him. Gradually overcoming personal conflicts, his parents divorce, his fear of failure and the social ills he encounters, the war, the prejudice he experiences as a Jew, the decadence of Thunder Island, by summer’s end, Andy feels comfortable with himself and the dimensions of the adult world he is entering.

Andy and his friends are likable, even if they seem as deeply characterized as the people in the rock songs that play everywhere on Thunder Island. And, like many novels of initiation, this is a simple story of innocence and discovery. Thunder Island has charm.

Steeped in the news and social events of the time as they appeared to young adults then, Thunder Island offers a sentimental, nostalgic version of adolescence in the late 60s.

 

James Howard Kunstler says: ‘The story takes place at a Hamptons-like beach resort town in 1967.  It’s about what happens to a New York City kid the summer after he graduates from high school, with the Vietnam War looming in the background.  Surfing, drugs, young love.’

This was one of James Howard Kunstler’s early novels, published some time before he became better known as a social critic and author of the acclaimed non-fiction books The Geography of Nowhere, The Long Emergency, and Too Much Magic.

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James Howard Kunstler is the author of many novels including World Made By Hand, The Witch of Hebron, Thunder Island, Maggie Darling — A Modern Romance, The Halloween Ball, An Embarrassment of Riches, and many others.

He has published three novellas with Water Street Press: Manhattan Gothic, A Christmas Orphan, and The Flight of Mehetabel.

His non-fiction includes The Geography of Nowhere, The City in Mind: Notes on the Urban Condition, Home from Nowhere, The Long Emergency, Too Much Magic: Wishful Thinking, Technology and the Fate of the Nation.

 

 

My Father’s Garden: Incinerator by R J Dent

May 7, 2016

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One evening, about a week after the plum tree/creosote/bomb incident, my father rolled a very large empty oil drum down to the bottom of the garden. He rolled it noisily down the path, right to the end of the garden, rolled it in a sharp left turn, then stopped and stood it up so that it was screened by the lilac bushes.

I got up and wandered down the garden, followed by my brother. As I got nearer, I could see that my father was putting some bricks on the ground, arranging them in a roughly square symmetrical pattern. Intrigued, I stood back and watched, not sure what was going on. I didn’t really know what I was seeing – was it some obscure pagan ritual; a valiant attempt to contact alien life forms; my dad’s workaday version of Stonehenge, or something so obscure that it hadn’t been heard of by anyone other than my father? As my dad stood up – all of the bricks now obviously in their rightful positions – I had a feeling that I was about to find out.

– What’s he doing? my brother whispered.

– I don’t know yet, I answered. Let’s wait and see.

– Okay, my brother said, cheerfully enough.

And so we waited, watching carefully and quietly as our dad stood the empty oil drum on the bricks. Then he knelt down on the ground, picked up a hammer and a metal chisel and proceeded to knock holes in the side of the oil drum, about four inches up from the bottom. He made a hole, then moved the chisel a few inches to the left and made another hole, then repeated the process and made another hole, working his way around the oil drum until there were several holes all the way around its base.

– He’s making air-holes.

– What for?

– So an animal can breathe in there.

– What animal?

– Whatever animals like oil.

– Penguins.

– Petrels.

– Sardines.

– Oil lamps.

– Oil lamps aren’t animals.

– No, but they like oil and they need air-holes.

– You’re an air-hole.

We would have started trading insults at that point, but our father stood up abruptly, looked over at us, and asked what we were doing. Read more…

 

 

My Father’s Garden: Incinerator

Copyright © R J Dent 2014

 

Follow R J Dent’s writing on:

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My Father’s Garden: Wasp Nest by R J Dent

May 6, 2016

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1: Location

There was considerable excitement in our family when my father cautiously mentioned that there might be a wasp nest in the garden.

          – Where?

          – I just said: in the garden.

          – Any chance you could be a tiny bit more specific, father? my brother asked. The garden’s ninety feet long and thirty feet wide. There are twenty trees, several unidentifiable objet d’art, three buildings, two tall hedges and a partially cut down pear tree. It’s not going to be possible to pinpoint a carefully disguised wasp nest without a clue as to its location.

          – I’m not telling you where it is, my father said. Wasp nests are dangerous.

          – I thought wasp nests were just harmless wood pulp structures and that it was the wasps themselves that were dangerous, my brother said.

          – There’s no need to try and be clever, my father said. Wasps will attack and sting humans, particularly if they or their nests are threatened, so care should be taken around wasps and their nests.

          – I’ll take the risk, my brother said. I want to see what a wasp nest looks like at close quarters.

          – Well, don’t come crying to me if you get stung, my father said, as my brother dashed out into the garden.

          I followed my brother outside. He was dashing around the garden, peering in every corner, diligently searching for any sign of the new garden interlopers.

          – Where do wasps like to nest? I asked. Read more…

More stories from My Father’s Garden by R J Dent are available at:

https://rjdent.wordpress.com/category/my-fathers-garden/

Information on R J Dent’s books, stories, poems, essays, talks, videos, and latest news is at:

http://www.rjdent.com

https://rjdent.wordpress.com/

https://twitter.com/RJDent

https://www.facebook.com/rjdentwriter

http://www.youtube.com/user/rjdent69?feature=mhee

http://www.amazon.co.uk/R.-J.-Dent/e/B0034Q3RD4/ref=ntt_athr_dp_pel_2

 

 

Flesh and Excess: On Underground Film by Jack Sargeant

April 16, 2016

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Flesh and Excess: On Underground Film

by Jack Sargeant

Jack Sargeant’s new book, Flesh and Excess: On Underground Film is published by Amok Books and is dedicated to exploring Underground Film since 1999. Flesh and Excess: On Underground Film sees film-studies author Sargeant return to the physical, body-focused, extreme and transgressive films that first interested and intrigued him in the 1980s, when he wrote and published his first essays on cinema.

In Flesh and Excess: On Underground Film, Sargeant’s focus is on the historical, theoretical and philosophical content of the films he analyses. Starting with an exploration of the return to the shock of the body in underground film in the 1980s and the growth of underground film in the 1990s, Sargeant explores and defines an underground cinema that remains radical and contemporary, informing subcultures and independent cinema today.

Primarily focusing on a handful of key works by two award-winning underground filmmakers (Usama Alshaibi and Aryan Kaganof), Sargeant examines the desire – even the need – for a shocking bodily representations and interventions.

Punctuating his writing with philosophical analysis, and with explorations of areas as diverse as industrial culture, surrealism, butoh dance, fine art and medical fetishism, the book challenges the reader to examine the very nature of pleasure, of viewing and of experiencing cinema.

The American underground film scene from the late 70s, 80s and 90s has finally been carefully documented and analysed in Flesh And Excess, which contains a number of insights into the underground scene and situates it in a specific historical perspective.

Flesh and Excess is an important book. In it, a marginal world is discussed and explored in an incisive and intelligent manner. Several films that deal with excesses of the body are explored in almost forensic detail. The book deals with transgressive cinema, and so may not be for everybody, but for those who need a map through the lesser-charted waters of transgressive cinema this book is an informative, entertaining and challenging guide.

Flesh and Excess: On Underground Film is comprehensively illustrated throughout.

Book details:

ISBN-13: 978-1-878923-28-8

ISBN-10: 1-878923-28-5

Film /Filmmaking

$ 19.95/Paper

256 Pages

90 photo illustrations

Flesh and Excess: On Underground Film by Jack Sargeant is available at:

http://www.amazon.com/Flesh-Excess-On-Underground-Film/dp/1878923285

Here is a short book promo film featuring Jack Sargeant talking about Flesh and Excess: On Underground Film:

 

 

Reviews:

Flesh and Excess is a work of passionate scholarship. More than a history of transgressive cinema, Sargeant examines the persistence of underground art across generations, and the particular appeal of cinema that enfolds physical pleasures and horrors. It’s a clear-eyed and fascinating book.” — Chris Kraus, author of I Love Dick and Where Art Belongs

“At last! This is now the definitive work on underground film.” — Jon Reiss, filmmaker and author of Think Outside the Box Office

 About Jack Sargeant:

Jack Sargeant by Claudia Herwig

Jack Sargeant by Claudia Herwig

Jack Sargeant’s most recent book is Flesh and Excess: On Underground Film. Previous titles include Against Control, Deathtripping: The Extreme Underground and Naked Lens: Beat Cinema. His writings on film and culture have appeared in numerous anthologies and journals, and DVD releases, including the Throbbing Gristle DVD box set.

Jack Sargeant appears as an interviewee in the documentaries Blank City, The Advocate For Fagdom and Llik Your Idols, amongst others. He has lectured on underground film, beat culture, William S. Burroughs, J.G. Ballard and many other topics across the world. Jack is currently program director for the Revelation Film Festival.

Other books by Jack Sargeant:

Against Control (2014)

Naked Lens: Beat Cinema (2008)

Deathtripping: the Extreme Underground (2007)

No Focus: Punk On Film (with Chris Barber) (2006)

Bad Cop / Bad Cop (as editor) (2003)

Guns, Death, Terror (as editor) (2002)

Death Cults (as editor) (2002)

Lost Highways: A History of the Road Movie (with Stephanie Watson) (2000)

Cinema Contra Cinema (1999)

Suture 1 (1998)

Born Bad (1996)

Jack Sargeant’s books are available at:

http://www.amazon.com/s/ref=dp_byline_sr_book_1?ie=UTF8&text=Jack+Sargeant&search-alias=books&field-author=Jack+Sargeant&sort=relevancerank

Follow Jack Sargeant’s work on:

http://www.jacktext.net/index.php?index

 

 

Follow R J Dent’s work on:

website: http://www.rjdent.com/

Amazon: http://www.amazon.co.uk/R.-J.-Dent/e/B0034Q3RD4

blog: https://rjdent.wordpress.com/

twitter: https://twitter.com/RJDent

facebook: https://www.facebook.com/rjdentwriter

YouTube:  https://www.youtube.com/user/rjdent69

 

A Collaboration of Unlike Minds: William Blake’s and Robert Graves’ The Tyger by R J Dent

April 15, 2016

 

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The Tiger

 

Tiger tiger burning bright

In the forests of the night

What immortal hand or eye

Could frame thy fearful symmetry

 

In what distant deeps or skies

Burnt the fire of thine eyes

On what wings dared he aspire

What the hand dared seize the fire

 

And what shoulder and what art

Could twist the sinews of thy heart

Did he smile his work to see

Did he who made the lamb make thee

 

Tiger tiger burning bright

In the forests of the night

What immortal hand or eye

Dared frame thy fearful symmetry

 

Robert Graves

 

Even the most cursory glance will reveal some fundamental differences between the above two poems. Graves’ rewrite came about due to a number of flaws he felt existed in Blake’s poem. He writes of these in ‘Tyger, Tyger’, an essay collected in The Crane Bag and Other Disputed Subjects. In the essay, Graves is particularly scathing of Blake’s tendency to mix his tenses, remain ‘imprecise and ambiguous’, ‘grammatically incoherent’ and to not care about the rhetorical focus of the poem.

More importantly, however, Graves neglects at any time to mention that he has ‘made his own arrangement of The Tyger’. After interviewing Graves, Christopher Burstall claims that Graves’ ‘arrangement’ includes ‘cutting out two verses and putting the whole poem in the past tense’, so that it is grammatically correct and more structurally cohesive. Read more…

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A Collaboration of Unlike Minds: Robert Graves’ and William Blake’s The Tyger

Copyright © R J Dent (2007 & 2016)

 

Follow R J Dent’s work on:

website: http://www.rjdent.com/

amazon: http://www.amazon.co.uk/R.-J.-Dent/e/B0034Q3RD4

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Echoes by R J Dent

April 11, 2016

echoes r j dent

It made the national news.

          For a year after, the residents of the picturesque seaside town talked of little else. Friends of Robert’s family kept copies of the newspapers his disappearance had provided headlines for. The headlines ranged from shrieking alliterative tabloid sensationalism at its worst, to a slightly calmer, more informative recounting of events. Some included an appeal for information. However, in all reports, the details were the same, for despite their different political biases, newspapers always treated an inexplicably missing child in the same way.

          Such a thing is an outrage and all newspapers sell outrage.

          Robert Taylor, an intelligent and reasonably popular twelve year old, had left his house one sunny Easter holiday morning and met up with four friends at a pre-arranged meeting place. From there they had gone to the beach of Carbis Bay to play amongst the rocks and the rock pools and in and out of the small caves dotted along the cliffs. After a while the five children had decided to play hide and seek. Robert had asked to hide first – in fact, according to the other children, he’d been very insistent about this one particular detail. His fervent insistence had unnerved them and their acquiescence had been nervous and hurried. Robert had promptly run off into the afternoon air to hide as his friends counted to two hundred. Then they searched for him.

          They have not found him yet. Read more…

echoes r j dent

R J Dent says: ‘ I wrote Echoes for a number of reasons. As I walked along a cliff path in Cornwall I saw some children throwing shells at a boy. He was laughing. Later on that same day, someone threw a rock at the cliff and when it hit, it made a very distinctive ‘tok’ sound, which I wanted to incorporate into  a story. I also wanted to name a story Echoes, after my favourite Pink Floyd song. After my walk, I hand-wrote the first draft of Echoes in about three hours. It’s one of my stories I like best.’

Echoes

Copyright © R J Dent (2010 & 2016)

 

Follow R J Dent’s work on:

 

Website: http://www.rjdent.com/

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Blog: https://rjdent.wordpress.com/

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Opus by R J Dent

April 10, 2016

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You can read everything written by the great ones

          and commit their words to memory –

Use a secret alphabet that only a select few

          will recognise as their own –

Set fire to your hands and searingly etch

          your lines onto the communal retina –

Sail through the catacombs of the subconscious

          in a Viking longship and fetch

          back bales of treasure for your people

          – whoever they might be –

Scan the proverbs tattooed deep on the walls

          of a magpie’s heart, knowing

          they are written in experience’s ink –

Unwind spools of useless magnetic tape

          and let them play in streamers

          on the warm south wind –

Chisel out faces in an obsidian wall,

          gag them to stop them screaming,

          but always give them water once a week –

Give the dead child within you a decent burial,

          then perform an elaborate ritual

          so that it returns to life – Read more…

 

 

Follow R J Dent’s work on:

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An Untitled Piece of Writing by R J Dent

April 4, 2016

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Text:

 

Huh nee… mm mm… ow ryu…hrn ee… yeh… mm hm… mtu… ths gd… wzs tht thn… bh cs… mmm… i fl lk… mm mm… skn… lkn… fkn… yr ck… yd oo dyr… ys iyd oo… wl i fl lk lkn… skn… fkn… yr cn t… du yu rly… yr id oo… mm… ino… hm hm… yu wn tha… ym mm… oh… an tha… mmm… ye ye… oka… thn dw tha… ohh… fme… yeh… mmm… thas fkn byu tfl… oh… oh oh… ye… ye… yeh… jee sus… yr fkn lv lee… ah… nd yr fkn lv lee tu… ah… tk dty tu me… hwd ym een… kmon y no… dty wds… tht srt oth ng… oka… bnd ovr bch… oh… oka… nw gwon… sprd m wd… oh… f me… mm mm… gw on bby… pt yr fce thr… mm mm… thas t… stk yr tng rt upt… ths t… o yh… gwon… lkit… hrd… ye ye… o… ye… dwit fm ee… sy mr dty wds… whl i sk yu… yu va lvl ee cnt… a byu tfl… lv lee… tst ee cnt… o… ar… yss… sy mr… cll m… nms… y slt… ah yss… mr… y byu tfl fkn lvl ee chp sl te hr… o yss… ths it… n ow… rm tn… yra… byu tfl… fkn bch… hhh… ng… gg… cl me a byu tfl hr gn… yu byu tfl fkn hr… lv lee… lv yu… lv yr boh dee… suh byu tfl… hr… oh ye… oh yeh… k moh vrm ee… k minm ee… ths it…. yeh o… ah… oh… ah… oh… yss… ll vu… gv… it… t… me… hrd… slm tn… aa… aa… ys… fk… fk… ah… fk hrd rr… ys… ys… fk m… fk m… ohh hhh… yssss… hg gh… hh hg gh… yaa… yaa… hg… gh… fr… haaa… huhu… hu… yehh… mmm hmm… hmm mmm… yu ka ym… mm… me tu…

 

 

Commentary:

 

And so, if you should happen to find writing of the type that is taking up the space above these expositional lines, examine it carefully for what sort of text it might be – and what it might be doing. Does it have a purpose? A meaning? Are there any messages in it? Is it of any practical use? Do we learn anything from it? Is it English (Standard, I mean)? Does it conform to the grammatical and lexical rules we all know so well? If not, why not? Read more…

An Untitled Piece of Writing

Copyright © R J Dent (2016)

 

 

Follow R J Dent’s work on:

 

website: http://www.rjdent.com/

blog: https://rjdent.wordpress.com/

twitter: https://twitter.com/RJDent

facebook: https://www.facebook.com/rjdentwriter

youtube:  https://www.youtube.com/user/rjdent69

 

Burt Hirschfeld’s Fire Island Tetralogy: Fire Island, Cindy on Fire, Fire in the Embers and Return to Fire Island

March 14, 2016

 

 

Burt Hirschfeld

Burt Hirschfeld

 

Burt Hirschfeld (22 May 1923–3 December 2004) was the author of over fifty books, several of them best-sellers. Probably his best known (and best-selling) novels are his Fire Island Tetralogy: Fire Island, Cindy on Fire, Fire in the Embers and Return to Fire Island.

 

 

Fire Island:

 bh fi

 

Fire Island was the first of four novels set on the eponymous island. Fire Island: New York’s most beautiful beach resort… a sun-soaked playground for the bored sensation seekers.

Fire Island: where the wealthy, the sun worshippers, the hippies and the lonely housewives all flock in the summer. All come to find the freedom promised by the island.

Fire Island: where six friends share a summer house. Six people at their most vulnerable with ambitions they can’t hope to fulfil and hungers they can’t satisfy.

 

 

Cindy on Fire:

 bh cindy on fire

 

Cindy on Fire is a sequel to Burt Hirschfeld’s Fire Island. In it, the author focuses on the life of Cindy Ashe from Fire Island. Like the first book, Cindy on Fire is a 500-plus page chronicle of the sex lives of the gone-to-seed sixties flower children, living on Fire Island. Cindy, the promiscuous teen of Fire Island, has grown up and is still very promiscuous.

Welcome to Cindy’s world – the decadent playground of society studs and jet-set perverts, of dirty old men lusting for naked young bodies and freaked-out hippies into acid rock sex scenes.

Follow Cindy’s search for fulfilment – out of her middle-class upbringing into the sordid glamour of international film making and on to a non-stop merry-go-round of exotic lovers. It’s a trip too hot to forget. And once you’ve Cindy Ashe, you’ll never forget her.

 

 Fire in the Embers:

 bh fire in the embers

 

Fire in the Embers is a young writer’s fight for fame in a decadent society of instant success and fast failure.

Fire in the Embers tells of Mike Birns’ struggle to change the ocean-side bedrooms of Fire Island for the opulent offices of Hollywood, where eager girls are only too willing to trade their bodies to break into movies.

Fire in the Embers is about a man with too many easy women, too many long nights at the gaming tables and too much ambition to ignore the temptations.

 

Return to Fire Island:

 bh rtfi

 

Fire Island – The East Coast playground for the beautiful achievers. They fight hard for success. Back on Fire Island, they enjoy the rewards.

Fire Island – A pleasure island where the sun comes up on last night’s lust. Where desire is hotter than the summer sun, and the warm nights are drenched in the fevered search for excitement.

Fire Island – Where the hot crowd comes to live out their fantasies.

In Return to Fire Island, Burt Hischfeld takes a look at the residents of Fire Island, and gives us a chronicle of the people who live and vacation where New York’s money and beauty buy every pleasure under the sun. And there’s a lot of money – and a lot of pleasures to be had.

 bh1

Burt Hirschfeld is a very powerful writer, with a talent for good dialogue, exotic settings, and excellent character insights.

 

Many of his books are available here:

http://www.amazon.co.uk/Burt-Hirschfeld/e/B001HP1UD8

 

and here:

http://www.amazon.com/Burt-Hirschfeld/e/B001HP1UD8

and there are reviews of a few of his books here:

http://glorioustrash.blogspot.co.uk/2010/06/fire-island-glorious-70s-trash.html

 

Burt Hirschfeld’s Fire Island Tetralogy: Fire Island, Cindy on Fire, Fire in the Embers and Return to Fire Island.

 

© R J Dent (2016)

 

http://www.rjdent.com

 

 

My Father’s Garden: Fireworks by R J Dent

January 25, 2016

 

Sparklers_Pack_Night_by_2bgr8STOCK

 

 

Bonfire Night was always fun.

Bonfires are great and fireworks are even greater.

My father never bought lots of fireworks on Bonfire Night – there were never more than eight to ten in a box, but there were Catherine Wheels, Roman Candles, Fountains, Jumping Jacks, Bottle Rockets, Fire Crackers – and we always had Sparklers.

I don’t mean to sound churlish, but sparklers are not the most exciting type of firework in existence. You light them, wave them around, they fizz and sparkle for a minute, then they die. They’re the firework world’s equivalent to the mayfly. One great (or in the mayfly’s case, not-so-great) aerial incendiary burst, and then gone, done, nothing left but the inevitable fall… Read more…

 

 

 


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