Archive for the ‘Les Fleurs du Mal’ Category

Sade: Sex and Death – The Divine Marquis and the Surrealists (translated by R J Dent)

August 22, 2014

 

SS&D - RJD

SADE: SEX and DEATH

The Divine Marquis and the Surrealists

Edited by Candice Black

Translated into English by R J Dent

 

“SADE IS SURREALIST IN SADISM”

André Breton, Surrealist Manifesto (1924)

 

The Marquis de Sade (1740–1814), best known for his violent, erotic novels, such as 120 Days of Sodom and Justine, was also one of the key inspirational figures identified by André Breton in his Surrealist Manifestos. De Sade’s importance to the Surrealists and their close affiliates is reflected in the sheer volume of art and writing dedicated to, or inspired by, his life, philosophy, and writings. Sade documents this body of Surrealist work, including many key texts and bizarre and erotic images never before assembled in one volume.  Included in Sade: Sex and Death are more than fifty rarely seen transgressive illustrations by some of the most famous names associated with Surrealism, including Dalí, Hans Bellmer, Magritte, André Masson, and Man Ray. The book also features analytical texts by writers of the period such as Bataille, Breton, Bunuel, Eluard, and Klossowski.

 

Also included is the first-ever English translation (by R J Dent) of ‘The Divine Marquis’ by Guillaume Apollinaire, which was the first modernist appraisal of Sade and remains one of the best concise biographies of its subject, and “Sade and the Roman Noir” by scholar Maurice Heine, in which Heine posits Sade as inventor of the gothic novel. Putting the works in context is an extensive history by Candice Black that details the relationship between the Surrealists and Sade.

 

The Marquis de Sade was one of the key figures identified by André Breton in his Surrealist Manifestos as inspirational to the whole Surrealist movement. Sade’s importance to the Surrealists and their close affiliates is reflected in the sheer volume of their art and writing dedicated to, or inspired by, his life, philosophy and work.

 

Sade: Sex and Death documents this body of work, and features many key texts as well as a host of bizarre and erotic Surrealist images never before assembled in one volume.

 

Including texts, paintings, photography and drawings by: Guillaume Apollinaire, Georges Bataille, Hans Bellmer, André Breton, Luis Buñuel, Salvador Dalí, Robert Desnos , Paul Eluard, Max Ernst, Leonor Fini, Maurice Heine, Valentine Hugo, Pierre Klossowski, Felix Labisse, René Magritte, André Masson, Roberto Matta, Man Ray, Toyen, Clovis Trouille and others.

 

CONTENTS

 

Sade and Surrealism: An Illustrated History            Candice Black

The Divine Marquis (Trans. R J Dent)                          Guillaume Apollinaire

The Use Value of De Sade (Trans. Allan Stoekl)        Georges Bataille     

De Sade and the Gothic Novel (Trans. R J Dent)       Maurice Heine

A Destructive Philosophy                                                    Pierre Klossowski

Notes on the Sadistic Imagination (Trans. R J Dent)  Andre Masson        

Sade: A Revolutionary Intelligence (Trans. R J Dent)  Paul Eluard

 

SOLAR EROTIK ARCHIVE

ISBN-13: 978-0-9820464-9-4

 

Available from:

http://www.amazon.co.uk/Sade-Divine-Marquis-Surrealists-Archive/dp/0982046499

 

http://www.amazon.com/Sade-Divine-Marquis-Surrealists-Archive/dp/0982046499

 

http://press.uchicago.edu/ucp/books/book/distributed/S/bo11334062.html

 

http://www.solarbooks.org/solar-titles/sadesexanddeath.html

 

www.rjdent.com

 

 

 

Charles Baudelaire’s The Flowers of Evil translated by R J Dent

October 7, 2013

 

Charles Baudelaire

Charles Baudelaire

 

 

 

 

 

 

 

 

 

 

 

 

 

Charles Baudelaire’s seminal classic, The Flowers of Evil (Les Fleurs du Mal) is now available in R J Dent’s modern English translation:

 

flowers

 

 

 

 

 

 

 

 

 

 

 

R J Dent discusses his translation of Charles Baudelaire’s The Flowers of Evil:

 

 

R J Dent reads ‘I give you these verses…’ from his translation of Baudelaire’s The Flowers of Evil:

 

 

A promotional book trailer for R J Dent’s modern English translation of Charles Baudelaire’s The Flowers of Evil:

 

 

 

R J Dent’s translation of The Flowers of Evil is available from the University of Chicago Press:

http://press.uchicago.edu/ucp/books/book/distributed/F/bo10734555.html

and from Amazon:

http://www.amazon.co.uk/Flowers-Evil-Artificial-Paradise-Nocturnal/dp/0979984777/ref=la_B0034Q3RD4_1_2?s=books&ie=UTF8&qid=1381152776&sr=1-2

 

 

http://www.rjdent.com

 

rjdent logo

 

 

 

 

 

 

 

 

Charles Baudelaire’s The Flowers of Evil

November 7, 2010


The Flowers of Evil & Artificial Paradise

by Charles Baudelaire

Translated by R J Dent


Here’s R J Dent’s translation of Charles Baudelaire’s The Flowers of Evil. It was published by Solar Books on January 9th 2009. According to the blurb it’s ‘a brand new translation that vividly brings Baudelaire’s masterpiece to life for the new millennium’.

R J Dent says: ‘This particular translation was a labour of love; it started years ago, when I studied Baudelaire’s Les Fleurs du Mal as an undergraduate and realised how inaccurate the available translations were. I promptly set about translating twenty or so of the best poems, particularly the banned ones. In the process, I very quickly came to admire Charles Baudelaire’s poetic voice. It was refined and dignified, and yet very daring. I now understand these contradictions, if that’s what they are.’

‘I found the translation process itself very interesting. Because Baudelaire’s writing is very visual, it was almost like time-travel; I wandered around 19th century Paris, absorbing the sights, sounds, scents; was taken into the bedrooms of many dusky women, all of them sprawled across their beds, dressed only in jewels and perfume.’

‘When I had finished the translation, I was back in the 21st century. I couldn’t wait to get back to Baudelaire’s Paris. The translation process itself was very much like archaeology. I had the French text and I would work at it steadily, uncovering its buried English meaning, word by word, line by line, until finally, the whole poem would stand naked before me in all its pristine glory. That’s Baudelaire’s poetry for you. If only all translation work was like that.’

‘Incidentally, I very much enjoyed translating the introductory essay by Guillaume Apollinaire, which is now available in English for the first time.’

‘Solar Books has done a great job with The Flowers of Evil. With it they’ve included a new version of Artificial Paradise, which is a series of Baudelaire’s reflections on wine, hashish and opium.’

Odilon Redon’s cover picture, which he painted specifically for The Flowers of Evil, perfectly captures the zeitgeist of Baudelaire’s 19th century Paris.


The Flowers of Evil & Artificial Paradise

Charles Baudelaire

Translated by R J Dent

SOLAR BOOKS

ISBN-10: 0-9799847-7-7

ISBN-13: 978-0-9799847-7-8

Publication date: January 2009


The Flowers of Evil can be ordered from Solar Books at:

http://www.solarbooks.org/solar-titles/flowersofevil.html

or from The University of Chicago Press at:

http://www.press.uchicago.edu/presssite/metadata.epl?mode=synopsis&bookkey=10734555


or from Amazon.com at:

http://www.amazon.com/Flowers-Artificial-Paradise-Solar-Nocturnal/dp/0979984777/ref=sr_1_1?ie=UTF8&s=books&qid=1236890663&sr=8-1


or from Amazon.co.uk at:

http://www.amazon.co.uk/Flowers-Artificial-Paradise-Solar-Nocturnal/dp/0979984777/ref=sr_1_1?ie=UTF8&s=books&qid=1217774414&sr=1-1


Details of this book and R J Dent’s other works can be found at:

www.rjdent.com



Charles Baudelaire’s The Abyss

July 10, 2010

Here’s Charles Baudelaire’s The Abyss.


Charles Baudelaire's The Abyss translated by R J Dent

The poem is from R J Dent’s translation of The Flowers of Evil, published by Solar Books.


Charles Baudelaire's The Flowers of Evil translated by R J Dent


Details can be found here: http://www.solarbooks.org/solar-titles/flowersofevil.html


The Abyss has been set to music by the Finnish composer/musician Outi Tarkiainen.


The first performance of The Abyss was in Helsinki in September 2009.


Here’s the video clip:


Translation © R J Dent 2009/Music © Outi Tarkiainen 2009

And here are the lyrics:


Charles Baudelaire’s The Abyss


Pascal had his abyss that followed him.

Everything is abyss: action, desire, dream – word.

I feel the wind of fear pass frequently

through my thick hair, which often stands on end,

up and down, everywhere, into the depths,

through silence, space, captivating, ugly…

During my nights, a god with clever hands

draws never-ending multi-shaped nightmares

and I’m afraid of sleep – it’s a big hole

full of horrors that lead to the unknown.

Windows show me infinity. Seeing

it, my hurt mind suffers from vertigo.

How I envy the sense of nothingness;

I’m never free of numbers or of beings.

Translation © R J Dent (2009)


www.rjdent.com



Charles Baudelaire’s The Albatross

July 10, 2010

Charles Baudelaire's The Albatross translated by R J Dent

Here’s Charles Baudelaire’s The Albatross.


The poem is from R J Dent’s translation of The Flowers of Evil, published by Solar Books.


The Flowers of Evil & Artificial Paradise by Charles Baudelaire translated by R J Dent

More details can be found here: http://www.solarbooks.org/solar-titles/flowersofevil.html


The Albatross has been set to music by the Finnish composer/musician Outi Tarkiainen.


The first performance was in Helsinki in September 2009.


Here’s the video clip:



Translation © R J Dent 2009/Music © Outi Tarkiainen 2009


And here are the lyrics:


The Albatross


Often, for amusement, the sailing crew

catch that bird of the seas – the albatross;

companion on our voyage, it follows

the ship as it slides through the sea’s abyss.


When this once-great sky king has been dumped,

awkward and ashamed, onto the ship’s boards,

it pitifully drags its great white wings

along its feathered sides like useless oars.


This graceful voyager through shades of blue,

once beautiful, is now clumsy and weak;

one sailor mocks the cripple who once flew,

another stubs a pipe out on its beak.


The poet is just like this prince of clouds;

beyond range, above storms – these are his haunts;

exiled on Earth amidst a jeering crowd,

his giant wings won’t permit him to walk.


Translation © R J Dent (2009)


www.rjdent.com



Charles Baudelaire’s The Flowers of Evil & Artificial Paradise

January 14, 2009

The Flowers of Evil & Artificial Paradise

by Charles Baudelaire

Translated by R J Dent

 

baudelaire flowers of evil

‘A brand new translation that vividly brings Baudelaire’s masterpiece to life for the new millennium’

 

Here’s my new book. It’s a translation of Charles Baudelaire’s The Flowers of Evil, published by Solar Books on November 9th 2008. According to the blurb it’s ‘a brand new translation that vividly brings Baudelaire’s masterpiece to life for the new millennium’.


 

 

The translation was a labour of love; it started years ago, when I studied Baudelaire’s Les Fleurs du Mal as an undergraduate. I realised how inaccurate the available translations were, and promptly set about translating twenty or so of the best poems, particularly the banned ones. In the process, I very quickly came to admire Charles Baudelaire’s poetic voice. It was refined and dignified, and yet very daring. I now understand these contradictions, if that’s what they are.


 

Charles Baudelaire

Charles Baudelaire

 

 

I found the translation process itself very interesting. Because Baudelaire’s writing is very visual, it was almost like time-travel; I wandered around 19th century Paris, absorbing the sights, sounds, scents; was taken into the bedrooms of many dusky women, all of them sprawled across their beds, dressed only in jewels and perfume.


 

When I had finished the translation, I was back in the 21st century. I couldn’t wait to get back to Baudelaire’s Paris. The translation process itself was very much like archaeology. I had the French text and I would work at it steadily, uncovering its buried English meaning, word by word, line by line, until finally, the whole poem would stand naked before me in all its pristine glory. That’s Baudelaire’s poetry for you. If only all translation work was like that.


 

Incidentally, I very much enjoyed translating the introductory essay by Guillaume Apollinaire, which is now published for the first time in English.


 

Solar Books has done a great job with The Flowers of Evil. With it they’ve included a new version of Artificial Paradise, which is a series of Baudelaire’s reflections on wine, hashish and opium.


 

Odilon Redon’s cover picture, which he painted specifically for The Flowers of Evil, perfectly captures the zeitgeist of Baudelaire’s 19th century Paris.

 


 

 

The Flowers of Evil & Artificial Paradise

Charles Baudelaire

Translated by R J Dent


 

 

SOLAR BOOKS

ISBN-10: 0-9799847-7-7

ISBN-13: 978-0-9799847-7-8

Publication date: November 2008

 


 

 

It can be ordered from Solar Books at:

http://www.solarbooks.org/solar-titles/flowersofevil.html

 

 

 

or from Amazon.com at:

 

http://www.amazon.com/Flowers-Artificial-Paradise-Solar-Nocturnal/dp/0979984777/ref=sr_1_1?ie=UTF8&s=books&qid=1236890663&sr=8-1


 

 

 

or from Amazon.co.uk at:

 

http://www.amazon.co.uk/Flowers-Artificial-Paradise-Solar-Nocturnal/dp/0979984777/ref=sr_1_1?ie=UTF8&s=books&qid=1217774414&sr=1-1

 

 

 

 

 

Details of this book and my other works can be found at:

www.rjdent.com

 


 

r-j-dent-logo1

 

 

 

 

 

 

 

 

 

 

 

 

Paris, Baudelaire, Beckett, Moonstone Silhouettes, the Seine and the Three Graces

January 11, 2009


Paris in December, 2008. Visiting Charles Baudelaire’s grave was paramount. I put my translation of Baudelaire’s poem Landscape on his grave. I covered it with a copy of the cover of my recently-published translation of Baudelaire’s The Flowers of Evil & Artificial Paradise.

The Flowers of Evil (Translated by R J Dent)


It was a very moving moment, made all the more poignant by the fact that a steady stream of people visited his grave. People came in ones and twos to pay their respects and/or leave offerings. I knew Baudelaire was considered an important literary figure in France, one who is still ignored and derided in England, but I had no idea that he was so revered by the French.

Charles Baudelaire


There are three names on the gravestone, there being just the one stone for the family plot. The name at the top is Jacques Aupick, Baudelaire’s stepfather, a man that Baudelaire hated. Next is Charles Baudelaire’s name. Beneath his name is Caroline Archenbaut Defayes, Baudelaire’s mother, a woman he loved dearly.

Baudelaire should really be in his own grave and have his own gravestone. Either that or a new stone should be cut that puts Charles Baudelaire’s name at the top – after all, he’s the reason that people go to that particular grave.

Charles Baudelaire's grave © 2009 R J Dent archive

In the same cemetery, I found Samuel Beckett’s grave.

Samuel Beckett's grave © 2009 R J Dent Archive


It was simple and unadorned. And no one visited it. It was all very Beckett-ian.

Samuel Beckett


Later that day I walked along the left bank of the Seine, then had coffee and croissants in a riverside café.

Seine (left bank) ©  2009 R J Dent archive


Continuing my theme of pretention, I spent a part of that day proof-reading and editing my latest poetry collection, Moonstone Silhouettes. The collection needed proofing and editing so I took it with me to France, simply so that I would always know that it had been edited in Paris. Now Moonstone Silhouettes will always be tinged with memories of Paris, December 2008.

moonstone silhouettes - r j dent


On another day I went into the Louvre and stood in front of the Three Graces. It’s my favourite sculpture. I found it by accident – having forgotten it was in the Louvre. I was wandering through the less-crowded rooms, trying to avoid the Mona Lisa/Venus de Milo/Da Vinci Code mob – and doing a very good job of it – when I went into a cool, spacious room and almost fell over the Three Graces. There they were – right in front of me – and all three looking quite lovely too. Obviously I wanted to touch them and I did reach out a hand – but at the last minute, sense, or lack of nerve, prevailed and I stood there simply staring in awe at those beautiful stone nymphs.

The Three Graces - Louvre


Obviously there’s a lot more, but that’s all I’m sharing at present. Paris was wonderful, a delightful experience, full of wonders, marvels and deep emotions. Every time I stepped outside in Paris, I could feel the air crackle with the electricity of life.

Paris at night ©  2009 R J Dent archive


Paris is a city for the eternally young. I will go back – and I’ll probably edit and proof-read another book of mine while I’m there. I might even touch the Three Graces. They won’t mind.

Au revoir.


rjdent-logo

© R J Dent (2009)

www.rjdent.com


Charles Baudelaire’s The Flowers of Evil & Artificial Paradise translated by R J Dent is available from:

http://www.amazon.com/Flowers-Artificial-Paradise-Solar-Nocturnal/dp/0979984777/ref=sr_1_14?ie=UTF8&s=books&qid=1239004510&sr=1-14

or:

http://www.amazon.co.uk/Flowers-Artificial-Paradise-Solar-Nocturnal/dp/0979984777/ref=sr_1_1?ie=UTF8&s=books&qid=1217774414&sr=1-1


Moonstone Silhouettes by R J Dent is available from:
http://www.amazon.co.uk/Moonstone-Silhouettes-R-J-Dent-ebook/dp/B004MME1GG/ref=la_B0034Q3RD4_1_6?s=books&ie=UTF8&qid=1394900815&sr=1-6

Follow

Get every new post delivered to your Inbox.

Join 101 other followers